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CANYON
DIABLO METEORITE — AN EXTREMELY NOTABLE OFFERING: THE
FINEST EXAMPLE OF THE QUINTESSENTIAL AMERICAN METEORITE
Iron-coarse octahedrite
Meteor Crater, Coconino County, Arizona
The current
offering is among the most aesthetic iron meteorites known to
exist. It is also the most striking, sculptural specimen
recovered in the United States available to the public—and the
second most sculptural specimen period—the first being the Tucson
Ring, a centerpiece at The Smithsonian.
What makes this
meteorite all the more desirable is that it comes from a
much-celebrated locale: Canyon Diablo, “The Devil’s
Canyon,” Arizona.
Approximately
40,000 years ago, this meteorite was part of a small asteroid that
plowed into the Arizona desert with the force of more than 100 atomic
bombs. The main mass vaporized on impact, creating the most famous and
best-preserved meteorite crater in the world—the renowned "Meteor
Crater" near Winslow, Arizona, nearly one mile across and 600 feet
deep. Fragments of this famed impact—some of which landed more
than 11-miles away—are prized by museums and private collectors
everywhere. The meteorite now offered is woven into a legacy that is
unrivaled in meteorite Americana:
“The
Devil’s Canyon” was true to its name for both Harvey
Nininger “The Father of Meteoritics” and Daniel M.
Barringer. At the turn of the 20th Century, Barringer believed that the
unusual crater was created by an enormous mass weighing millions of
tons and believed this small asteroid, worth a fortune in iron and
nickel, lay beneath the crater’s base. In 1903 Barringer filed a
mining claim on the site that later became known as
“Barringer’s Crater” and drilling commenced and
continued for years.
When funds ran low, Barringer initiated a public offering to fund the
locating and excavation of the elusive mother lode. (As a measure
of the preeminence of the Canyon Diablo pedigree, a stock certificate
issued by the long defunct companies which financed the drilling sells
today for more than many of specimens in this offering.)
Following years of
drilling, nothing was found. Unfortunately for Barringer,
scientists later determined that an asteroid far smaller than what
Barringer imagined would possess more than sufficient energy to blow
the huge hole in the Arizona desert floor—and would also generate
enough heat to vaporize much of its mass. In effect, the large mass
Barringer spent the last thirty years of his life looking for
didn’t exist. Years later, Harvey Nininger built the American
Meteorite Museum on the same site. Much of Nininger’s pioneering
research was done at this locale and Nininger recovered numerous Canyon
Diablo specimens following countless surveys of the area—but none
remotely as sculptural as the meteorite now offered. A few years
after his having opened his museum at a strategically located perch on
Route 66, the museum went out of business when a new interstate, I-40,
drained the traffic from the Devil’s Canyon.
Meteorites almost
never look like the specimen now offered—a meteorite that has
appropriately been called The Wishstone. Very few meteorites fork into
different directions, as such bends typically break off over time
resulting in multiple fragments. The matchless shape in evidence is the
result of several variables which wondrously came together in an act of
pure serendipity: a massive explosion in the desert splitting the
asteroid apart along its crystalline planes in a fortuitous shape; the
ejection of graphite nodules (see lot DP-13) which provided the furrows
and sockets which when exposed to the elements expand into smooth
curves and promote surprising twists; the perfect placement
underground so that the incursion of oxidants in the weathering process
sculpted the meteorite in a manner that prevented the multiple
elongated fragments; and perhaps most significantly, the timely
discovery and excavation of this specimen which provided the cessation
to the aforementioned oxidation.
As a final accent,
a multi-hued natural patina—also unlike the typical Canyon
Diablo—enthralls. This is an extremely notable offering of a
matchless example from one of the most important meteorite events in
history—and the single most aesthetic meteorite publicly
available ever found in North America.
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